# Let It Be by The Beatles

Source: https://pitchhighway.com/songs/the-beatles-let-it-be
Site: PitchHighway — learn to sing your favorite songs (https://pitchhighway.com)

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## Measured data

- Key: C major
- Vocal phrasing tempo: ~40 BPM (median pace of the sung phrases, measured from real uploads — it can sit below the song's beat BPM on sustained passages)
- Vocal range: F#3–G4 (13 semitones)
- Tessitura (middle 50% of sung time): C4–E4
- Longest note: C4 held 8.5s
- Difficulty: medium
- Range fit: fits inside 68% of the 703 vocal ranges measured on PitchHighway (whole-octave shift allowed)

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The Beatles released Let It Be in 1970 as the title track of their final studio album. Singers often look up its key, vocal range, and difficulty before attempting the track in practice or performance.

The measured vocal line spans F#3 to G4 across 13 semitones. Most phrases sit between C4 and E4. This placement keeps the melody inside a comfortable middle register for many male voices while still requiring clean tone on the upper G4.

Phrasing tempo averages 40 BPM with 0.4 notes per second. The slow pace gives singers time to shape each note, yet the longest measured note lasts 8.5 seconds on C4. Holding that duration demands steady breath support and consistent airflow without pushing volume.

Difficulty registers as medium. The main challenges come from the sustained C4 and the need to stay relaxed across the full 13-semitone span rather than from fast runs or extreme highs. The measured range and tempo together explain why many intermediate singers can reach the notes but still work on even tone and breath control.

Baritones and tenors fit the measured tessitura best. Lower baritones may shift the song down a step or two, while tenors can sing it as written and add light head voice on the G4 if needed. Sopranos and altos usually transpose upward to avoid the low F#3.

To practice, start by matching the sustained C4 for the full 8.5 seconds on a neutral vowel, then add the surrounding phrases at the recorded tempo. Focus on keeping the jaw loose during the longer notes and resetting breath before each new phrase. Once the middle register feels steady, extend the range work up to G4 and down to F#3 with short scales that mirror the song's contour.

Upload the song to PitchHighway and learn it phrase by phrase.