# Lean on Me by Bill Withers

Source: https://pitchhighway.com/songs/bill-withers-lean-on-me
Site: PitchHighway — learn to sing your favorite songs (https://pitchhighway.com)

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## Measured data

- Key: C major
- Vocal phrasing tempo: ~53 BPM (median pace of the sung phrases, measured from real uploads — it can sit below the song's beat BPM on sustained passages)
- Vocal range: B2–G4 (20 semitones)
- Tessitura (middle 50% of sung time): A3–D4
- Longest note: C4 held 3.4s
- Difficulty: medium
- Range fit: fits inside 40% of the 730 vocal ranges measured on PitchHighway (whole-octave shift allowed)

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Bill Withers released Lean on Me in 1972. The page supplies the original key, measured vocal range, tessitura placement, and phrasing tempo drawn from user-uploaded vocal tracks.

The recorded vocal line spans B2 to G4 across twenty semitones. The tessitura centers on A3 to D4, so most phrases sit in a comfortable mid-range for baritones and lower tenors. Phrasing tempo averages 53 BPM with a note density of 0.6 notes per second. The longest held note reaches 3.4 seconds on C4. Difficulty registers as medium because the range stays modest and the tempo allows time for breath planning.

Singers who attempt the song at higher keys often push past the upper limit of G4. The measured data shows that staying in C major keeps the top note inside the original register. The slow tempo reduces the need for rapid consonant articulation, yet it demands steady breath support across longer phrases.

Baritones find the tessitura sits directly in their primary passaggio zone, allowing chest voice to carry most lines without early mixing. Tenors can sing the same notes an octave higher only if they transpose up a full fifth, which moves the top note to D5 and increases strain. Altos who cover the song usually drop an octave, placing the melody between B3 and G5 in their lower register.

Practice begins with the chorus because it repeats the widest interval leap in the measured line. Singers mark the breath points before each three-second sustained note so the tone does not thin at the end. Because the phrasing tempo sits near 53 BPM, metronome work at 50 BPM helps lock the subdivisions before speeding up to performance tempo. Once the chorus sits comfortably, verses receive attention for dynamic contrast on the repeated title phrase.

Upload the song to PitchHighway and learn it phrase by phrase.